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ÀúÀÚ | ¾ÆÄÉ´Ù Áö¿¡(¿ªÀÚ: Á¤¹®ÁÖ) |
ÃâÆÇ»ç | ºÏÇãºê |
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From Silk to Silicon |
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ÀúÀÚ | Jeffrey E. Garten |
ÃâÆÇ»ç | Tranquebar |
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½ÃÀåÀ» µÚÁý¾î ³õÀ» ½Å¼ÒÀç, ±×·¡ÇÉ |
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12³â Àü °úÇÐÀÚµéÀÌ ±âÀûÀÇ ¼ÒÀç ¡®±×·¡ÇÉ¡¯À» ºÐ¸®ÇÏ´Â ¹ýÀ» ¹ß°ßÇß´Ù. ±×¸®°í °úµµ±â¸¦ °ÅÃÄ ÇöÀç ±×·¡ÇÉÀ» Àû¿ëÇÑ »ó¾÷¿ë Á¦Ç°µéÀÌ »õ·Î¿î ½Ã´ëÀÇ µµ·¡¸¦ ¾Ë¸®°í ÀÖ´Ù. ±×·¡ÇÉÀÌ ¿ì¸® »î¿¡ Á÷Á¢ÀûÀ¸·Î ¾î¶² ¿µÇâÀ» ³¢Ä¥ °ÍÀΰ¡? ÀÌ »õ·Î¿î ±â¼ú·Î ¿ì¸®´Â ¹«¾ùÀ» ÇÒ ¼ö Àִ°¡? |
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America"s Moral |
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Anyone who watches television or goes to the movies is aware that traditional moral standards are out of place in Hollywood¡¯s version of America. Television shows like Desperate Housewives and The Sopranos, and films like Brokeback Mountain would make you think traditional standards of fidelity, honesty, and sexuality are as out-of-step with 21st century America as horse collars and mechanical adding machines. But do Hollywood¡¯s products reflect cultural values in the real world? |
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¸¶À½À» Àд ±â°èÀÇ µîÀå Twenty |
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¿ª»ç°¡ ½ÃÀ۵Ǿî Áö±Ý¿¡ À̸£±â±îÁö Àηù´Â ´ëºÎºÐ ¼Õ, ¹ß, ¸ñ¼Ò¸®, ½ÉÁö¾î ¾ó±¼ Ç¥Á¤À» ÅëÇØ ÁÖº¯ ȯ°æ°ú ±³·ùÇØ¿Ô´Ù. ¸¸¾à µÎ³ú°¡ ¿ÜºÎ ȯ°æ°ú Á÷Á¢ÀûÀ¸·Î ±³·ùÇÒ ¼ö ÀÖ´Ù¸é? ÇöÀç, ÀÌ·¯ÇÑ ÀÎÅÍÆäÀ̽ºÀÇ ºñ¿ëÀº ³·¾ÆÁö°í ¼º´ÉÀº ÁøÀϺ¸ÇÏ°í ÀÖ´Ù. ÀηùÀÇ ¿ÏÀüÈ÷ »õ·Î¿î °¡´É¼ºÀ» ¿³º¼ ¼ö ÀÖ´Â ±â¼úÀÇ ¹Ì·¡´Â ¿ì¸®¿¡°Ô ¹«¾ùÀ» º¸¿©ÁÖ°í Àִ°¡? |
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